The Jefferson Agrarian

The Reds, by Anne Kinkade

Jefferson artists Anne Kinkade, Belinda Hanson, Cathy Valentine and Rodney Thompson are featured in a group exhibition, ENCAUSTICS: Contemporary Art in an Ancient Medium, at the Old City Hall, in Redding. Kinkade, Hanson and Valentine all hail from Siskiyou county.

The exhibit runs from January 7 through February 14, 2009. The gallery will also be open during the Annual Cultural Cruise on January 30, 2009, from 5-8pm, and during the February Arthop on February 14 from 6-9pm.

Regular gallery hours are: Tuesday-Friday, 9am-5pm; Saturday (1st, 3rd, 4th) 11am-3pm;

Anne Kinkade: “My approach to art making is experimental using combinations of materials which create an ultimate textured surface.”
Cathy Valentine: “I paint emotional landscapes which address issues of memory, psychological aspects of being, and life. ”
Belinda Hanson: “I approach my materials with an experimental attitude, drawing from the world around me in almost a Duchampian style–rubber, tape, plaster, paper, latex, wax–anything that can be combined to exude a visceral quality”
Rodney Thompson: “I strive to find a balance between a sense of simplicity and a depth of visual interest in the creation of my art.”

Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface — usually prepared wood, though canvas and other materials are often used. The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used — some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment.

Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Today, tools such as heat lamps, heat guns, and other methods of applying heat allow artists to extend the amount of time they have to work with the material. Because wax is used as the pigment binder, encaustics can be sculpted as well as painted. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface.

Encaustic painting was notably used in the Fayum mummy portraits from Egypt around 100-300 AD, in the Blachernitissa and other early icons, as well as in many works of 20th-century American artists, including Jasper Johns. Kut-kut, a lost art of the Philippines implements sgraffito and encaustic techniques. It was practiced by the indigenous tribe of Samar island around 1600 to 1800.

Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on a variety of different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns elementary. However, the medium is not limited to just abstract designs, it can be used to create complex paintings, just as other media such as oil and acrylic.